Joy - I like both paintings especially the colorful shadow on the 2nd one! Youve painted the frog beautifully in both! Joy you are far too critical of yourself! Be assured your artwork is great. Dont be so critical of it (and I do know we are our worst critics), just enjoy the process of painting and making art!Vivien - I see what Anne and you mean about the softer light. Also meant to comment how I like the effective, but simple way you portrayed the folds of his coat.
My art has been very challenging lately. I had two gos at the lamb, and both were a total mess. So I did two versions of the frog, one sans BG. Originally I had the shadows on that on very dark, and it just looked awful, so I lifted them out. Instead of trying to pain the leaf in detail, I went for a more impressionistic BG. I didn't know what to do with the shadows with a white BG. At least I tried to interpret the photo, but I am getting discouraged. Things rarely look good to me, and I overwork so.
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Lovely bright caterpillar, (love those colors) Indy looks so cute in his little Elf coat, and great texture on the birds feathers! Well done on all 3!Here are mine.
Ink and watercolours
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Ink, coloured pencils and watercolour
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Ink, coloured pencils and watercolour, with white acrylic eye highlights.View attachment 13476
Kay - Oh well done! Thank you for posting your WIP leading up to your finished painting! So interesting to see the work that goes into it before! Love your catterpillar! He's munching away busily there, a beautiful painting!Here's my story: finished pic at the end if you don't want a long read ...
I chose to do the caterpillar. I did this over a series of evenings, starting in a cottage I had to stay in for work. Here's my setup:
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It's been that long since I did a painting I wasn't sure what I'd need, so I took everything with me.
Here's the pencil drawing. I noticed the caterpillar in the photo had eaten all his milk parsley leaves so I added one back in. I enjoyed drawing the leaf so much I drew in the whole thing and forgot about my caterpillar, so I had to erase part of it. I also moved the leaf stalk in front of the caterpillar so we could see him.
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I also changed my BG colour to yellow, as this is the main colour of the adult butterfly. I painted the rest at home whenever I had time during daylight - I have to paint in the kitchen just now and the lampshades in there have a copper-effect interior, making everything very yellow.
Here's the finished piece. It's watercolour, size A5, Arches 300g CP. I used Windsor lemon, ultramarine blue, indanthrene blue (love this colour - I remembered I had it halfway through the painting), windsor red, lamp black and a touch of raw umber and cobalt violet.
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Thank you very much, Anne.Joy, I like the work you did on the frog. I think the abstract green background is the more effective of the two. Very nice work showing his shiny, wet skin on the feet and his very prominent eyes. One thing I sometimes do with paintings of animals with a white background is to just ground them with a small shadow that is very dark right where it meets the subject then quickly fades out to nothing. I do the shadows on the animal itself normally.
Here's an example of what I mean.
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Vivien gives good advice. Don't be so critical, just enjoy the process. You are doing fine.
Penny, wonderful work on all three of yours. I love all the detail on the caterpillar. Indy is obviously ready to go and just waiting for you to open the door! Love the feather work on the bird. It was a very effective technique.
Kay M., what a wonderful story of the painting. I know exactly what you mean about sometimes getting carried away with a background element and developing it beyond where it should be. Wonderful though, that you got so involved that you lost track and just worked away at it. Lovely finish.
A beautiful swan, Christel. I like the water, too.Vivien - love your version of the dog!
Penny great paintings!
Joy - super frog!
Kay - beautiful version of the caterpillar!
Anne - super!
My swan, A4, in acrylic.
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