Ai, I like the sketch with all the wine barrels. The brown brush pen was a perfect choice of medium.
Moscatel, thank you. The continuous line sketches make me think about foreground, middle, and background as I decide how to approach the sketch. This forum is good for getting ideas of how to approach a sketch. What a lovely spot to look out on the lake and paint in the sunshine. You can't ask for anything better.
Robin, sounds like the retreat kept you busy and away from us. We understand, but still would love any sketches you snuck in.
Brian, Your car looks pretty good. That flask looks like a nightmare to sketch with all the curves. I think you did pretty well with the lines and angles on the boxes. I like that you included the closing tabs (which is where I often get screwed up). Glad you found a use for some of the rectangular boxes. Practice is so important. I took a painting workshop with a gent named Gerald Brommer. He said visual artists need to practice more. Singers practice for hours and so do dancers. But we expect to sit down, pick up a brush or a pencil and create a masterpiece. He said that he sketches all the time. If he knows he's going to Venice he'll sketch page after page of pigeons. If he's going to be near farms in Ireland he does the same thing with sheep. He was a wise man.
Fletch, thanks. The Posca marker workshop is this coming Sunday. The green marker I used above is new and doesn't flow well...covers poorly. Not what I was hoping for.
Jo, thanks. LOL I tried to do the continuous line quickly so I didn't have the fridge door open too long. I could hear my dad's voice in my head telling me to close the door already.