stlukesguild
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One possible solution is to raise the painting up and allow the top foot or so to curl over and hang down. I have actually done that before in the studio in spite of a nearly 12' ceiling.
Yes Brian, you should. You've done very well and after you play around for a bit with them, you may find you love them. You will learn all sorts of things they will do for you.
Awhile back -maybe 10 years ago?- in the middle of the night I woke up laughing hysterically at the thought of some "sound - alike" comparisons like your "bach-hound" I slept with an 11"x14" sketchbook so I started writing them down as fast as I could, tears of laughter streaming down my face. The ideas coming to me as fast as I could write and wipe away the tears. That night and over the next day or two I filled up 12 pages of the notebook with such stuff. Some were really good, others not so much. I later became a little worried about myself, and remember researching if there was some kind of stroke or mental disorder to account for it (I was stone-cold sober while this was going on). I went on to make some back and white paintings, and panels but put it away as I already had a full plate at the time and felt I needed to focus my energies.
I wonder if it might be possible to ensure it's survival by creating a very thick layer (or probably multiple layers, with drying of each before the next was applied) of some sort of alkyd resin on top. I'd think the crackles would still show, but the whole thing would be sort of encased in resin so (I think) it wouldn't degrade. The downside would be a shiny finish, which might not be what you're going for.This is fantastic Olive. I love it!
I have a painting where I purposely put some acrylic over the oil to get a crackle effect and it worked well, but I had to "fix"(varnish) it after in case any of the crackle bits might fall off. I don't know if that "fixes" anything, but so far so good.
View attachment 436
From now on, I would go this route (what you did in the first place) where I'd make the underneath the crackle and put the oil over the acrylic. That would be a more efficient way of doing it to be safe. Oil on acrylic=okay. The other way around=not okay.
The glowing light in this piece is fabulous.Been pottering around with oils, a medium I have not used in several years, and about which I remain rather ambivalent...
View attachment 1762
Karoo landscape. Oil on Masonite, 20 x 25 cm (= about 8 x 10 inch)
som
Awhile back -maybe 10 years ago?- in the middle of the night I woke up laughing hysterically at the thought of some "sound - alike" comparisons like your "bach-hound" I slept with an 11"x14" sketchbook so I started writing them down as fast as I could, tears of laughter streaming down my face. The ideas coming to me as fast as I could write and wipe away the tears. That night and over the next day or two I filled up 12 pages of the notebook with such stuff. Some were really good, others not so much. I later became a little worried about myself, and remember researching if there was some kind of stroke or mental disorder to account for it (I was stone-cold sober while this was going on). I went on to make some back and white paintings, and panels but put it away as I already had a full plate at the time and felt I needed to focus my energies.
The glowing light in this piece is fabulous.