There was no hint of any sexual impropriety with Dana. The professor in question was an older... even elderly woman.
Ignoring the history, I've always had mixed feelings about Schutz' paintings. As a huge lover of German Expressionism with its almost comic distortions, I should like her works as well... but I always felt they had a certain clunky dorkiness, whereas Beckmann, Nolde, Kirchner, and Käthe Kollwitz most certainly do not. Their expressive distortions have a fierceness rooted in their responses to the horrors of the time, where Schutz' strike me more as rooted in Ren & Stimpy and the Powerpuff Girls.