Endless struggle

[Nufocus]

 

[Nufocus]

Acrylics on cardboard. Around 16”X16”

 

[snoball]

I wonder what would happen if you laid a piece of plastic wrap over this and pressed the little thick gobs of paint? I'm just experimenting with YOUR painting.

 

[Artyczar]

Great one. I like your new focusing.

 

[Nufocus]

Sno, cool! Feel free to explore.
Arty, thank you. Not quite a new focus. I’ve been doing figurative and abstraction simultaneously. Oh well....

 

[Artyczar]

I do the same kind of thing. I like your abstracts. Sorry if saying it was new is not true, it was more of a play on your new name you use here.

 

[Trier]

Hey
This is about the most abstract one I have ever seen from you and I like it.
Abstract, figurative, or whatever, it is the same creative spirit coming through.

 

[trufflecat]

Very juicy and wonderful. This does seem to be the most abstract we've seen from you, as Trier said. Somehow my first thought was birds in the snow through a window, but that only works for the bottom left corner. I love the extreme contrast of the deep black and the white punctuated by the vibrant oranges and deep reds. Masterful.

 

[Enyaw]

I must have watched too many crime shows. Flesh color abstracted brings to mind body parts. I do like the rooster plumage.

 

[Iain]

I thought it was oil. What do I know. I like the later paintings of the late Howard Hodgkin, who didn't consider himself an abstract painter. The most valuable thing I got from him, and one of the commentators of his work, Andrew Graham-Dixon, was simply that a painting was an object, a thing. Or, as Carol might say, a "thingy." Keep on keeping on.

 

[Desforges]

The black is instant magic next to light. You got that.

 

[Nufocus]

Great interpretation and comments. Very encouraging. Muchas gracias to all!!!

 

[laf.art]

Really rich and deep, love it

 

[Nufocus]

Thank you kindly Laf!