stlukesguild
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I have just discovered Takashi Yoshimatsu. Here is his lovely, lyrical Piano Concerto (Memo Flora) which, to my ear, is reminiscent of Messiaen's music.
I could have sworn that you had previously stated you didn't like Messiaen?
Honestly, I'm not big on Messiaen myself... but I did come to like the Quartet for the End of Time with this recording:
Presently listening to one of my all-time favorites. I fell in love with this in my late teens thanks to the film, Amadeus. The film score recordings of the Requiem by Sir Neville Marriner and the Academy of St. Martin in the Fields remains my "go to" version more often than not... but today I'm listening to John Eliot Gardiner's recording:
I could have sworn that you had previously stated you didn't like Messiaen?
Honestly, I'm not big on Messiaen myself... but I did come to like the Quartet for the End of Time with this recording:
Presently listening to one of my all-time favorites. I fell in love with this in my late teens thanks to the film, Amadeus. The film score recordings of the Requiem by Sir Neville Marriner and the Academy of St. Martin in the Fields remains my "go to" version more often than not... but today I'm listening to John Eliot Gardiner's recording:

Yesterday we had an Italian dinner at home: pasta and Italian sausage and a couple of bottles of wine with Puccini:
And to be honest, It was Amadeus that first truly turned me on to Mozart and Opera. At the time I was quite a fan of the Baroque: Bach, Handel, and Vivaldi (The Baroque Revival that began to employ historic instruments and performance styles as well as rediscovering the endless forgotten works by Baroque composers was just underway.) I was also quite a fan of Beethoven, Schubert, Mahler, Tchaikovski, and Stravinsky
at this time.