They definitely feel organic and alive and I love the textures and the colours. It almost looks like you put chalk pastel for the top textures in the turquoise in the centers. What a marvellous series! I would love to see them all together.
Thank you Christine. I did not use pastels for the textures; they are the result of quite a few layers of scumbling and glazing to get the effect I wanted. Glad you think the paintings are worth selling as prints.Wow, both are just stunning!
You should be selling prints.
Glad you appreciate what I was trying to do, Donna.
Terri, I am happy that you enjoyed looking at the series. It was fun working on the paintings, but I think that I will stop exploring Voronoi diagrams for now and try some new ideas. I am thinking of mixing black iron oxide, used to colour cement and concrete, with fluid alkyd medium that I can pour and splatter onto the support. This should give marks that are much more spontaneous than the precisely designed backbones of the Voronoi series. I think the iron oxide will clump together to give interesting textures as well.
Now, that sounds very intriguing! Not just the potential colors, but going towards total spontaneity after this very controlled series.
