Artyczar
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St. Luke, I sure hope your wife does not have Covid, despite being vaxxed. Some vaxxed people have been known to get it. Scary! Make sure she's okay.
I always liked Brubeck. I like a lot of jazz, but I always go blank on this thread, and Hannah kinda hates it so I don't listen to it often. I grew up listening to a lot of jazz with my dad, who was a big Krupa fan. I actually got him into Buddy Rich and a bunch of other stuff. It took him a long time to get into more contemporary jazz, like Miles. He only liked his straightforward stuff. He was more of a big band guy. He played drums too, and the vibes, but not very well. He enjoyed himself though. That's all that matters. He started playing in the Army band before he went to battle in WWII. He was a radio operator in the very last tank brigade that went into north Italy. I don't know why I mention that, maybe because I was proud of him for enlisting when he was still underage, and then reenlisting again.
I played a lot of jazz when I was in music school--not like Berkley or anything. It was a "vocational" music school MI (Musician's Institute) before they became an official college that offered real degrees. I was the youngest student to have ever entered at that time, so it was intimidating. Also, I was among the first three non-male students (drummers).
You had to be in the upper 5% to be able to get into Big Band and I got there in my 2nd quarter, so I got less intimidated and got some respect. I accredit that to my dad's influence.
Anyway, he liked Dave Brubeck too and was never able to get that famous 5/4 time signature no matter how many times I tried to show him. "That does not swing naturally," he'd say. "No, it doesn't, Dad. That's why you have to count." And that's probably why he couldn't get into Miles's weirder stuff.
I always liked Brubeck. I like a lot of jazz, but I always go blank on this thread, and Hannah kinda hates it so I don't listen to it often. I grew up listening to a lot of jazz with my dad, who was a big Krupa fan. I actually got him into Buddy Rich and a bunch of other stuff. It took him a long time to get into more contemporary jazz, like Miles. He only liked his straightforward stuff. He was more of a big band guy. He played drums too, and the vibes, but not very well. He enjoyed himself though. That's all that matters. He started playing in the Army band before he went to battle in WWII. He was a radio operator in the very last tank brigade that went into north Italy. I don't know why I mention that, maybe because I was proud of him for enlisting when he was still underage, and then reenlisting again.
I played a lot of jazz when I was in music school--not like Berkley or anything. It was a "vocational" music school MI (Musician's Institute) before they became an official college that offered real degrees. I was the youngest student to have ever entered at that time, so it was intimidating. Also, I was among the first three non-male students (drummers).
You had to be in the upper 5% to be able to get into Big Band and I got there in my 2nd quarter, so I got less intimidated and got some respect. I accredit that to my dad's influence.
Anyway, he liked Dave Brubeck too and was never able to get that famous 5/4 time signature no matter how many times I tried to show him. "That does not swing naturally," he'd say. "No, it doesn't, Dad. That's why you have to count." And that's probably why he couldn't get into Miles's weirder stuff.