WOW! I LOVE your style AES!
I have a garment industry background, so this reminds me quite a bit of the style cards on the patterns we worked on when I was a kid. I worked alongside my father who was a grader (this is one who makes the sizes of a garment in manufacturing). I was a cutter (patterns, not material). There was also a lot of rubber stamping involved in this trade, so your date stamping is also very nostalgic to me.
Anyway, these are beautiful! They also remind me of the vintage pattern magazines that my family had. I probably only have a few of those left from the 1940s.
I love my stamp I wonder if it's good enough/unique enough for a signature on the rest of my stuff, because my real name isn't coming within 1000 miles of the internet.There was also a lot of rubber stamping involved in this trade, so your date stamping is also very nostalgic to me.
8x11 inches. Watercolor on rice paper, traced from an original with carbon paper, then gone over with a sumi ink brush.
Thanks. Next time I'll try to do that on purpose lol.Very elegant, AES! I like the way the lines on the rice paper bled a tiny bit, giving a soft look. Good stuff!
I used to use a rubber stamp on the backs of my pieces, but it was mostly just as a logo. I used it with an ink signature. I used the stamp until I got too lazy. Now I just use a Sharpie signature on the back, or a pencil on works on paper.I love my stamp I wonder if it's good enough/unique enough for a signature on the rest of my stuff, because my real name isn't coming within 1000 miles of the internet.
Paint swatches for the challenge over in the animals and wildlife forum. I'm having g a hell of a time mixing the brightest green. I think it needs pthalo green yellow shade, but I only have that in acrylic.
View attachment 10682
Paint swatches for the challenge over in the animals and wildlife forum. I'm having g a hell of a time mixing the brightest green. I think it needs pthalo green yellow shade, but I only have that in acrylic.
Maybe nows the time to get around to that blasphemous oil mixed with acrylic experiment I've been meaning to do.
You are correct, phthalo green yellow shade will be a good choice. However, your yellow looks too warm to me to give a really bright green. Are you using cadmium yellow? A warm yellow contains a bit of red. Red is the complementary of green. Complementary colours give grey when mixed, so the warm yellow will darken the green. Try using a cool yellow (usually called lemon by different manufacturers), something like Winsor Lemon. That will give you a really bright green.View attachment 10682
Paint swatches for the challenge over in the animals and wildlife forum. I'm having g a hell of a time mixing the brightest green. I think it needs pthalo green yellow shade, but I only have that in acrylic.
Maybe nows the time to get around to that blasphemous oil mixed with acrylic experiment I've been meaning to do.
This prompted some more careful mixing. The swatches below are pthalo green yellow (pg36) acrylic mixed with various oil yellows and Benzomidazalone light (py175) acrylic. The cad yellow lemon (py35) does come close enough I think, although the Benzo is a little more florescent. ThanksYou are correct, phthalo green yellow shade will be a good choice. However, your yellow looks too warm to me to give a really bright green. Are you using cadmium yellow? A warm yellow contains a bit of red. Red is the complementary of green. Complementary colours give grey when mixed, so the warm yellow will darken the green. Try using a cool yellow (usually called lemon by different manufacturers), something like Winsor Lemon. That will give you a really bright green.