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This is one that I forgot about.   This shot was taken while hiking around Providence Canyon and is actually from the same roll of film!   
We came across this abandoned car that had been dragged between the two trees and left to rust away. I found it tragic but lovely, and couldn't figure out how the hood ended up in this position. I decided it would be fun to exaggerate the scene, so I used my very wide-angle lens (20mm Pentax) and sat about 5 feet in front of the car. I knew that rear end would compress.
Kodak HIE (infrared) film, printed on Agfa matte silver gelatin, hand colored with Marshall's photo oils and oil pencils.
		
		
	
	
		 
	
All comments welcomed and appreciated. Thanks for looking!
				
			We came across this abandoned car that had been dragged between the two trees and left to rust away. I found it tragic but lovely, and couldn't figure out how the hood ended up in this position. I decided it would be fun to exaggerate the scene, so I used my very wide-angle lens (20mm Pentax) and sat about 5 feet in front of the car. I knew that rear end would compress.
Kodak HIE (infrared) film, printed on Agfa matte silver gelatin, hand colored with Marshall's photo oils and oil pencils.
All comments welcomed and appreciated. Thanks for looking!
 
	 
 
		 
 
		 
 
		 
 
		 Not only could this be read as a statement on the persistence and resilience of nature, but it makes one wonder what the story of the car and how it came to this resting place might be. This car was new once, right off a post-war assembly line and a showroom floor; who bought it, who drove it - and where...
 Not only could this be read as a statement on the persistence and resilience of nature, but it makes one wonder what the story of the car and how it came to this resting place might be. This car was new once, right off a post-war assembly line and a showroom floor; who bought it, who drove it - and where... 
    
 
		
 
 
		 
 
		 --all the way!
--all the way!
