Hausamann
Well-known member
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- 334
Finding the right lighting has its problems, which I am yet to resolve with some aspects of my current painting.Thanks- there's a whole series of that shoe and/or martini glass; with a fig leaf and apple, with tomatoes and chiles, with their own shadows and reflected light on a wooden floor- the two shapes work well together.
I'm trying to find a stronger place for set-ups here- the studio is too small and difficult to control the light, and the dining room would be great but has a VERY low-hanging light right over the table, plus the natural light is coming through a sun-reflecting coating that is waaaay warm inside. Price I paid for giving up my very private out-of-the-house 12' x 15' shed studio- it was hot or cold depending, and I'd stay so long at night I'd have to walk back to the house in the dark, which was trepidatious given the number of snakes around here once the temp comes up over 15-16C. At night, in the dark, a rattlesnake warning you off fills the world with the loudest buzz imaginable. But, it was quiet and private and big enough I could make set-ups where I controlled the light. Thing is, DH can go south in a hot minute- and we have a rule: If you hit the floor and cannot get yourself back up before I (or he in my case, but, yeah, that doesn't happen) finds you, it's 911. So I moved inside- safer for all of us.
In the house, of course, there's a refrigerator with food and drink, hot and cold running water, a bed with pillows, and a bathroom. I suppose the trade-off can be said to work.
I'll figure out a set-up spot sooner or later.
Where I live we don't have the highest number of poisonous snakes, but we do have the highest variety number of poisonous snakes in the world. Unfortunately non of them come with a rattle.
Glad that you have come to some workable compromise with DH. I live alone, so I have no compromises to deal with (I don't know if that is an advantage or not. Hahaha).