A Quiet Space

Donna T

Contributing Member
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I didn't know what to paint so I rolled on one layer of acrylic after another and built up some texture. A palette knife was used and some tissue paper too to blot on paint. At one point I lost the abstract feeling because I defined landscape forms with a brush so I obliterated them and rolled on more layers. I'm not sure what to think of this - it's not quite so rough in person. 9x9 acrylic on cold press watercolor paper

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Donna, interesting experiment if you may me call this wonderful painting an 'experiment'. Amazing what you can do!!
I see there a sea scape. Perfect 👏 painting!
 
Wayne, I agree it doesn’t have much going on value-wise. Every time I tried to add contrast I lost the quiet feel. I didn’t have much control over the outcome but that’s what I need. Once I start defining edges I get in trouble.

Grapes, this is what happens when I mess around with no destination in mind. It’s quite crude but it feels good to not care about the outcome sometimes. Thanks for finding a seascape!
 
I didn't know what to paint so I rolled on one layer of acrylic after another and built up some texture. A palette knife was used and some tissue paper too to blot on paint. At one point I lost the abstract feeling because I defined landscape forms with a brush so I obliterated them and rolled on more layers. I'm not sure what to think of this - it's not quite so rough in person. 9x9 acrylic on cold press watercolor paper

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Thanks for the description Donna. There are some tools that release the need for structure better than others. I like the way it seems to flow., stop, flow ...
 
Jennie Jo, I like the phrase you used: release the need for structure. Sometimes it’s hard to get the point of a piece across when you’re trying too hard to follow all the usual rules. Thanks.

Hi Jo, I used a red oxide color that I haven’t played with much so maybe that’s where the desert feel comes from. Thanks for your thoughts!
 
I appreciate what you are doing but I personally can’t make an abstraction in the nothing vein. I keep trying to get more of a lean toward abstraction but even that I find difficult. Your studies will take you there as you are honest with yourself and question all. Keep turning them out.
 
I find abstraction very difficult too - especially abstracting the landscape. As soon as I define a mountain or a tree all of the rules of perspective come into play and I feel obligated to follow them - and the abstraction vanishes. I think I will keep going with this quiet space idea since that's what I seem to be craving. If I start with an idea or a feeling maybe I'll have something to work toward instead of drifting around aimlessly. I appreciate your thoughts on this, Wayne.
 
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