You talkin' to me? Gorilla in Watercolor

[Joy]

This is watercolor, A5, on Hahnemühle 90# tinted paper. I am experimenting with a limited palette (concept courtesy of Hazel Soan's book and interview) and my colors were Raw Umber, AlizarinCrimson and Cobalt Blue. Overworked as usual, but at least I am trying different subject matter, as this was a challenge photo. The lighter weight paper and my exuberant use of water made this appear rather splotchy.

 

[Triduana]

Very good Joy. Love the colours, especially the way you've used the blue.

 

[Jo Castillo]

Very good. Good to try something new. I like the colors and texture.

 

[CaliAnn]

It's really good to try something new - I love how the grass turned out

 

[Joy]

Kay, Jo, CaliAnn, thanks for your comments and taking time to look.

 

[Terri]

Great job with the limited palette! They definitely come with their own unique set of challenges. I agree with Kay that you put that blue to good use with shading. Nice work.

 

[E.J.H.]

It's lovely! Especially interested because I am also exploring limited palettes in watercolor. I think you did a fantastic job with yours.
(Wouldn't mind leaving through that book you mention...)

 

[Joy]

Terri, thanks!
EJH, Amazon will let you look inside the book and download a sample. The author in my posted link shows quite a bit and discusses color combos on the YouTube video.

 

[E.J.H.]

Thanks Joy, I'll have look.

 

[ErikRak]

It's rendering very good. Not overworked for me... Bravo!

 

[Artyczar]

Joy, this is very good. I agree with Kay on how you used the blue, and I am fond of the little grass patch too! I don't think it's too overworked. I didn't think that when I eyed it at first look. I like the look of "blotched out" watercolors, so I like this a lot!

 

[Joy]

Srik, Rak - thanks for leaving such favorable comments. It is challenging to work through th "ugly stage" of a painting. Learning to trust the process, and knowing it will show improvement when the darks are added has been helpful.