stlukesguild
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Following the painting Coppélia, I wanted to continue in the same vein in a number of ways. I wanted to explore the single dressed figure placed centrally. I had been looking at a couple of paintings quite a bit and thinking of a robed praying figure suggestive of the Virgin Mary or Saints.
I was also looking a good deal at Japanese kimonos:
I placed the figure on the central axis and as usual, employed the old string method to draw the large central halo. I rapidly established the figure and began the process of priming and adding gold leaf:
The next weekend when I got into the studio again, I completed the tessellations at the top. I decided to continue exploring violet... but this time violet and orange or rather peach instead of violet and teal. I frequently set a formal challenge to myself to use color combinations that I haven't used before.
By the following weekend, I had raised the painting up and worked out the rest of the design and the lower legs. Obviously, I used the same background structure as the previous painting... with changes in color. I am always amazed at just how much color alone can change the mood.
Completing the tessellations and filling them with the pastels has become something I can do with increasing speed although settling on the exact color may take some time. Even the flat areas of color are the result of two or three different color pastels layered on top of each other:
Initially, I was thinking of using a pale periwinkle blue in the flat acrylic areas as I had done in the previous painting. This took on the appearance of a gray in contrast to the peach and violet. I decided to try an acrylic peach:
This "popped" visually... to the point it was somewhat difficult to read in contrast to the area of dark reddish primer.
I was also looking a good deal at Japanese kimonos:
I placed the figure on the central axis and as usual, employed the old string method to draw the large central halo. I rapidly established the figure and began the process of priming and adding gold leaf:
The next weekend when I got into the studio again, I completed the tessellations at the top. I decided to continue exploring violet... but this time violet and orange or rather peach instead of violet and teal. I frequently set a formal challenge to myself to use color combinations that I haven't used before.
By the following weekend, I had raised the painting up and worked out the rest of the design and the lower legs. Obviously, I used the same background structure as the previous painting... with changes in color. I am always amazed at just how much color alone can change the mood.
Completing the tessellations and filling them with the pastels has become something I can do with increasing speed although settling on the exact color may take some time. Even the flat areas of color are the result of two or three different color pastels layered on top of each other:
Initially, I was thinking of using a pale periwinkle blue in the flat acrylic areas as I had done in the previous painting. This took on the appearance of a gray in contrast to the peach and violet. I decided to try an acrylic peach:
This "popped" visually... to the point it was somewhat difficult to read in contrast to the area of dark reddish primer.