Thanks
Sno.
Thanks
Patrick. I tried to balance everything and not put in too many small shapes.
Wayne, when you least expect it, in rides a woman with blue hair on a horse with blocky legs. I was wondering if anyone else would see her. Another person appeared when it was in a different orientation so I turned it and was surprised when this one appeared. I didn't do anything to enhance her so she can float in and out of view. I'm amazed at how ovals become heads, curves become shoulders and a few random lines become a horse's tail.
Thanks
Hermes. I wasn't familiar with Victor Pasmore's work so thanks for pointing it out. He was so good at simplifying shapes.
🔥 🔥 🔥 - Thank you. I was hoping to keep it kind of moody with just the blues. Moody blues, ha.
Thanks so much
Iain - I was wondering if my touch is too light as in lack of strength but then I see abstracts I admire where it's just one color dissolving into another with very little structure. It seems that when I put bold lines down the whole mood shifted so I mostly covered them up.
Ayin, I'll take beautiful and calming any day. Thank you.
Thanks
Perry. I turn these things upside down and rotate them after almost every addition of paint. I have to in order to have a chance at keeping them abstract. Too many creatures and people appear otherwise!
Thanks
classic. I'm glad you find this relaxing and not necessarily depressing because of all the blue.
Thank you
Susan. I find it peaceful too and I'm glad that's coming across.